Composer

:

Dietrich Buxtehude

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

ca. 1690

Average_duration

:

3:04

Dietrich Buxtehude's Fugue in C major, BuxWV 174, is a Baroque-era composition for organ. It is believed to have been composed in the late 17th century, although the exact date is unknown. The piece is characterized by its intricate counterpoint and use of fugue form. The Fugue in C major, BuxWV 174, is comprised of three movements: an exposition, a development, and a recapitulation. The exposition introduces the main theme, which is then developed and elaborated upon in the subsequent movements. The piece is written in four-part harmony, with each voice contributing to the overall texture of the music. One of the defining characteristics of the Fugue in C major, BuxWV 174, is its use of fugue form. A fugue is a type of composition in which a main theme, or subject, is introduced and then repeated and developed throughout the piece. In the Fugue in C major, BuxWV 174, the main theme is introduced in the exposition and then repeated and developed in the subsequent movements. Another notable characteristic of the Fugue in C major, BuxWV 174, is its use of counterpoint. Counterpoint is the technique of combining two or more melodic lines in a way that creates a harmonious whole. In the Fugue in C major, BuxWV 174, the four-part harmony is created through the use of counterpoint, with each voice contributing to the overall texture of the music. The Fugue in C major, BuxWV 174, premiered during Buxtehude's lifetime, although the exact date and location of the premiere are unknown. The piece has since become a staple of the organ repertoire and is frequently performed in recitals and concerts. Overall, the Fugue in C major, BuxWV 174, is a masterful example of Baroque-era composition, showcasing Buxtehude's skill in creating intricate counterpoint and using fugue form to create a harmonious whole.

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