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Gustav Holst
First Choral Symphony, Op. 41, H. 155
Works Info
Composer
:
Gustav Holst
Genre
:
Symphony
Style
:
Symphony
Compose Date
:
1923 - 1924
Average_duration
:
49:22
Movement_count
:
5
Movement ....
Gustav Holst's First Choral Symphony, Op. 41, H. 155, was composed between 1923 and 1924. It premiered on October 18, 1925, at the Leeds Festival, with the composer conducting. The symphony is divided into four movements, each with its own distinct character and musical language. The first movement, "Ode to Music," is a setting of a poem by Holst's friend and collaborator, Cecil Day-Lewis. It begins with a gentle, flowing melody in the strings, which is soon taken up by the choir. The music builds in intensity as the choir sings of the power of music to inspire and uplift the soul. The movement ends with a triumphant climax, as the choir proclaims that "music is the voice of God." The second movement, "Ode to a Grecian Urn," is based on the poem by John Keats. It is a slow, meditative piece, with a hauntingly beautiful melody in the strings. The choir sings of the timeless beauty of the urn, and the fleeting nature of human life. The movement ends with a sense of resignation, as the choir acknowledges that all things must pass. The third movement, "Scherzo," is a lively, playful piece, with a folk-like melody in the woodwinds. The choir sings of the joys of youth and the pleasures of the countryside. The music is full of energy and vitality, with a sense of joy and celebration. The final movement, "Epilogue," is a setting of a poem by Holst himself. It is a quiet, reflective piece, with a simple, hymn-like melody in the strings. The choir sings of the beauty of nature, and the peace that comes with acceptance of the natural cycle of life and death. The movement ends with a sense of serenity and calm, as the choir proclaims that "all is well." Overall, the First Choral Symphony is a deeply spiritual work, with a strong sense of reverence for the power of music and the beauty of the natural world. It is a testament to Holst's skill as a composer, and his ability to create music that speaks to the soul.
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Works Music
Released Music
Featured Music
1
First Choral Symphony, Op. 41, H. 155  Prelude. Invocation to Pan: O Thou, whose mighty palace roof doth hang.
3:38
2
First Choral Symphony, Op. 41, H. 155  Song & Bacchanal: Part 1. Beneath my palm trees, by the river side.
4:33
3
First Choral Symphony, Op. 41, H. 155  Song & Bacchanal: Part 1. And as I sat, over the light blue hills.
1:37
4
First Choral Symphony, Op. 41, H. 155  Song & Bacchanal: Part 2. Whence came ye, merry Damsels! whence came ye! / Part 3. Within his car, aloft, young Bacchus Stood / Part 4. Whence came ye, jolly Satyrs! whence came ye!
2:9
5
First Choral Symphony, Op. 41, H. 155  Song & Bacchanal: Part 5. Onward the tiger & the leopard pants / Part 6. Bacchus, young Bacchus! good or ill betide.
2:7
6
First Choral Symphony, Op. 41, H. 155  Ode on a Grecian Urn: Thou still unravish'd bride of quietness.
2:58
7
First Choral Symphony, Op. 41, H. 155  Ode on a Grecian Urn: Heard melodies are sweet, but those unheard.
2:9
8
First Choral Symphony, Op. 41, H. 155  Ode on a Grecian Urn: Ah, happy, happy boughs! that cannot shed.
1:48
9
First Choral Symphony, Op. 41, H. 155  Ode on a Grecian Urn: Who are these coming to the sacrifice?
2:
10
First Choral Symphony, Op. 41, H. 155  Ode on a Grecian Urn: O Attic shape! fair attitude! with brede.
3:14
11
First Choral Symphony, Op. 41, H. 155  Scherzo: Part 1. Fancy. Ever let the Fancy roam.
2:56
12
First Choral Symphony, Op. 41, H. 155  Scherzo: Part 2. Folly's Song. When wedding fiddles are a-playing.
2:47
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