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Marin Marais
Suite in D minor (Pièces de viole, Book I, Nos. 66-72)
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Works Info
Composer
:
Marin Marais
Genre
:
Chamber
Style
:
Suite
Publication Date
:
1686
Average_duration
:
21:49
Movement_count
:
7
Movement ....
Marin Marais was a French composer and viol player who lived from 1656 to 1728. He was one of the most prominent composers of music for the viol in the Baroque era, and his works are still widely performed today. One of his most famous works is the Suite in D minor, which is part of his Pièces de viole, Book I. The Suite in D minor was composed in the late 17th century, and it premiered in Paris in 1686. It is a collection of seven movements, each with its own unique character and style. The movements are as follows: 1. Prelude - This is a slow, stately introduction to the suite. It features a simple melody that is repeated and developed throughout the movement. 2. Allemande - This is a lively dance in triple meter. It features a complex, ornamental melody that is typical of the Baroque era. 3. Courante - This is another dance in triple meter, but it is slower and more stately than the Allemande. It features a simple, elegant melody that is repeated and developed throughout the movement. 4. Sarabande - This is a slow, melancholy dance in triple meter. It features a haunting melody that is full of emotion and expression. 5. Gigue - This is a fast, lively dance in compound meter. It features a complex, virtuosic melody that is full of energy and excitement. 6. Chaconne - This is a slow, stately dance in triple meter. It features a simple, repetitive melody that is gradually developed and elaborated throughout the movement. 7. Menuet - This is a fast, lively dance in triple meter. It features a simple, catchy melody that is repeated and developed throughout the movement. Overall, the Suite in D minor is a beautiful and expressive work that showcases Marais' skill as a composer and viol player. Its movements are varied and full of character, and they demonstrate the range and versatility of the viol as an instrument. It is a testament to Marais' legacy as one of the greatest composers of music for the viol in the Baroque era.
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