Composer

:

Antonio Vivaldi

Genre

:

Vocal

Style

:

Motet

Compose Date

:

before 1742

Average_duration

:

12:51

Movement_count

:

4

Movement ....

'Non in pratis aut in horis, RV 641' is a sacred vocal work composed by Antonio Vivaldi, an Italian Baroque composer, in the early 18th century. The piece is a motet, a type of vocal composition that is typically performed in a liturgical setting. It is written for solo voice, choir, and orchestra, and is based on a text from the Book of Wisdom. The piece is believed to have been composed in the early 1720s, during Vivaldi's time as the music director at the Ospedale della Pietà in Venice. The exact date of its premiere is unknown, but it is likely that it was first performed at the Ospedale, where Vivaldi composed many of his sacred works. 'Non in pratis aut in horis' is divided into three movements. The first movement is a slow and solemn introduction, in which the choir sings the text "Non in pratis aut in horis, desiderium meum requiescat" ("Not in fields or in hours, may my desire rest"). The second movement is a lively and joyful aria for the solo voice, in which the text "In me gratia omnis viæ et veritatis" ("In me is all the grace of the way and the truth") is set to music. The final movement is a fugue, in which the choir and soloist alternate singing the text "Transivit in virtute tua, et cognovimus eum" ("He passed by in your power, and we knew him"). The characteristics of 'Non in pratis aut in horis' reflect Vivaldi's distinctive style as a composer. The piece is characterized by its virtuosic vocal writing, with the soloist and choir both given challenging melodic lines and intricate harmonies. The orchestration is also notable, with Vivaldi using a variety of instruments to create a rich and colorful sound. The piece is also notable for its use of text painting, in which the music reflects the meaning of the words being sung. Overall, 'Non in pratis aut in horis, RV 641' is a beautiful and expressive example of Vivaldi's sacred music. Its combination of virtuosic vocal writing, intricate harmonies, and colorful orchestration make it a masterpiece of the Baroque era.

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