Composer

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Heinrich Scheidemann

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:08

Heinrich Scheidemann was a German composer and organist who lived from 1595 to 1663. He was a prominent figure in the North German organ school, which was a group of composers and performers who were active in the 17th century. Scheidemann's music was highly influential in the development of the organ as a solo instrument, and he is considered to be one of the most important composers of his time. One of Scheidemann's most famous works is the 'Französischer Allemand for organ in D minor'. This piece was composed in the early 17th century, although the exact date is not known. It is believed to have been written sometime between 1610 and 1620. The 'Französischer Allemand' is a four-movement work that is typical of the organ music of the time. The first movement is a prelude that sets the tone for the rest of the piece. It is a slow and stately introduction that features a series of chords and arpeggios. The second movement is an allemande, which is a type of dance that was popular in Germany and France during the 17th century. The allemande is characterized by its moderate tempo and its use of a duple meter. Scheidemann's allemande is a lively and energetic piece that features a series of fast runs and trills. The third movement is a courante, which is another type of dance that was popular during the 17th century. The courante is characterized by its fast tempo and its use of a triple meter. Scheidemann's courante is a lively and playful piece that features a series of fast runs and trills. The final movement is a gigue, which is a type of dance that was popular in England and France during the 17th century. The gigue is characterized by its fast tempo and its use of a compound meter. Scheidemann's gigue is a lively and energetic piece that features a series of fast runs and trills. Overall, the 'Französischer Allemand for organ in D minor' is a typical example of the organ music of the North German school. It is characterized by its use of complex harmonies, fast runs and trills, and its lively and energetic rhythms. The piece is still performed today and is considered to be one of Scheidemann's most important works.

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