Composer

:

Marcel Dupré

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

3:13

Movement_count

:

2

Movement ....

Marcel Dupré's 'Regina Coeli, Op. 64' is a choral work composed in 1953. It was premiered on May 31, 1953, at the Cathedral of Notre-Dame in Paris, France. The piece is divided into four movements, each of which is based on a different section of the 'Regina Coeli' hymn. The first movement, 'Regina Coeli,' is a joyful and celebratory piece that features a bright and lively melody. The choir sings in unison, with occasional harmonies and counterpoint. The organ provides a rich and full accompaniment, with flourishes and runs that add to the festive atmosphere. The second movement, 'Laetare,' is a more subdued and introspective piece. The choir sings in a gentle and contemplative manner, with a simple melody that is repeated and developed throughout the movement. The organ provides a soft and delicate accompaniment, with gentle chords and arpeggios that create a sense of peace and tranquility. The third movement, 'Alleluia,' is a triumphant and exultant piece that features a powerful and majestic melody. The choir sings in a bold and confident manner, with strong harmonies and counterpoint. The organ provides a grand and majestic accompaniment, with full chords and fanfares that add to the sense of celebration and joy. The final movement, 'Ora Pro Nobis,' is a prayerful and reverent piece that features a simple and plaintive melody. The choir sings in a gentle and supplicating manner, with a sense of humility and devotion. The organ provides a soft and supportive accompaniment, with gentle chords and arpeggios that create a sense of reverence and awe. Overall, 'Regina Coeli, Op. 64' is a beautiful and inspiring choral work that showcases Dupré's skill as a composer and organist. The piece is characterized by its rich harmonies, intricate counterpoint, and expressive melodies, as well as its use of the organ as a powerful and versatile instrument. It is a fitting tribute to the 'Regina Coeli' hymn, and a testament to Dupré's enduring legacy as a composer and musician.

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