Sigfrid Karg-Elert
O daß ich tausend Zungen hätte, Op. 65/40
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Composer:Sigfrid Karg-ElertGenre:KeyboardStyle:KeyboardAverage_duration:4:15"O daß ich tausend Zungen hätte, Op. 65/40" is a choral work composed by Sigfrid Karg-Elert in 1910. The piece was premiered in the same year in Leipzig, Germany. It is a setting of a hymn text by Johann Mentzer, which is based on Psalm 103. The work is divided into four movements, each with its own distinct character. The first movement is marked "Andante con moto" and features a flowing, lyrical melody in the choir. The second movement, marked "Allegro moderato," is more rhythmic and lively, with a driving accompaniment in the piano. The third movement, marked "Andante sostenuto," is more contemplative, with a slower tempo and a more introspective mood. The final movement, marked "Allegro con fuoco," is the most energetic of the four, with a fast tempo and a triumphant, celebratory character. Throughout the work, Karg-Elert employs a variety of choral textures and harmonies to create a rich and expressive sound. He also makes use of dynamic contrasts and changes in tempo to add interest and drama to the music. The piano accompaniment is an integral part of the work, providing a rhythmic and harmonic foundation for the choir. Overall, "O daß ich tausend Zungen hätte, Op. 65/40" is a powerful and expressive choral work that showcases Karg-Elert's skill as a composer. Its combination of lyrical melodies, rhythmic energy, and rich harmonies make it a memorable and engaging piece of music.More....
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O that I had a thousand tongues, Op. 65/40
O daß ich tausend Zungen hätte (Wer weiß, wie nahe mir mein Ende), Chorale-Improvisations, Op. 65/40
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