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Marc-Antoine Charpentier
In honorem Sancti Ludovici Regis Galliæ, H. 418
Works Info
Composer
:
Marc-Antoine Charpentier
Genre
:
Choral
Style
:
Choral
Average_duration
:
11:26
Movement_count
:
6
Movement ....
In honorem Sancti Ludovici Regis Galliæ, H. 418 is a sacred composition by the French Baroque composer Marc-Antoine Charpentier. It was composed in 1688 to honor Saint Louis, the patron saint of France, and was premiered at the church of Saint-Louis-en-l'Île in Paris. The composition consists of six movements, each of which is dedicated to a different aspect of Saint Louis's life and legacy. The first movement, "O quam suavis est," is a joyful hymn of praise that celebrates Saint Louis's virtues and his devotion to God. The second movement, "Sancte Ludovice," is a solemn prayer that asks for Saint Louis's intercession and protection. The third movement, "O quam gloriosum est regnum," is a triumphant anthem that proclaims the glory of Saint Louis's reign and his victory over the enemies of France. The fourth movement, "O bone Jesu," is a plaintive aria that expresses the composer's personal devotion to Saint Louis and his longing for the saint's guidance and inspiration. The fifth movement, "O quam mirabilis est," is a contemplative meditation on the mystery of Saint Louis's life and his role as a model of Christian virtue. The final movement, "Gloria Patri," is a joyful doxology that praises the Holy Trinity and gives thanks for the blessings of Saint Louis's life and legacy. The composition is characterized by Charpentier's distinctive style, which combines elements of French and Italian Baroque music. The use of solo voices, choral harmonies, and instrumental accompaniment creates a rich and varied texture that reflects the emotional and spiritual themes of the text. The melodies are often ornate and virtuosic, showcasing the skill and expressiveness of the performers. Overall, In honorem Sancti Ludovici Regis Galliæ, H. 418 is a powerful and moving tribute to one of France's most beloved saints, and a testament to Charpentier's skill as a composer of sacred music.
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