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Carl Philipp Emanuel Bach
La Boehmer, H. 81, Wq. 117/26
Works Info
Composer
:
Carl Philipp Emanuel Bach
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1754
Publication Date
:
1762
Average_duration
:
3:28
"La Boehmer" is a keyboard sonata composed by Carl Philipp Emanuel Bach in 1783. It was premiered in Hamburg, Germany, in the same year. The sonata consists of three movements: Allegro di molto, Adagio, and Allegro. The first movement, Allegro di molto, is in sonata form and begins with a lively and energetic theme. The theme is then developed through various key changes and modulations, showcasing Bach's skill in harmonic progression. The second theme is more lyrical and provides a contrast to the first theme. The development section is particularly noteworthy, as Bach employs unexpected harmonies and sudden shifts in dynamics to create tension and drama. The movement ends with a recapitulation of the main themes, followed by a coda that brings the piece to a satisfying close. The second movement, Adagio, is a slow and expressive piece that showcases Bach's ability to create beautiful melodies. The piece is in ABA form, with the outer sections featuring a lyrical melody accompanied by arpeggiated chords. The middle section is more contrapuntal, with the melody being passed between the hands. The movement ends with a return to the opening melody, this time with added ornamentation. The final movement, Allegro, is a lively and playful piece that features a syncopated rhythm and a catchy melody. The piece is in rondo form, with the main theme returning several times throughout the movement. The middle section provides a contrast to the main theme, with a more subdued and lyrical melody. The movement ends with a return to the main theme, followed by a coda that brings the piece to a lively and satisfying close. Overall, "La Boehmer" is a fine example of Bach's keyboard writing, showcasing his skill in harmonic progression, melody writing, and form. The piece is notable for its energy, drama, and playfulness, and is a testament to Bach's status as one of the most important composers of the Classical era.
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