Composer

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Boris Blacher

Genre

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Keyboard

Average_duration

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18:58

Boris Blacher's "Preludes (24) for piano" is a collection of 24 short pieces for solo piano, composed in 1948. The work was premiered in Berlin in the same year by pianist Gerhard Puchelt. The 24 preludes are divided into two books, each containing 12 preludes. The first book is characterized by a more traditional approach to form and harmony, while the second book is more experimental and avant-garde in nature. The preludes range in length from under a minute to just over two minutes, and each one explores a different mood or musical idea. Some are fast and energetic, while others are slow and contemplative. Blacher's use of harmony is particularly noteworthy in these preludes. He often employs dissonant chords and unexpected harmonic shifts, creating a sense of tension and unease. This is especially evident in the second book, where Blacher's use of atonality and serialism is more pronounced. Despite their experimental nature, the preludes are still very much rooted in the tradition of classical piano music. Blacher's use of counterpoint and his attention to detail in the piano writing demonstrate his deep understanding of the instrument and its capabilities. Overall, "Preludes (24) for piano" is a challenging and rewarding work for both performer and listener. Its combination of traditional and avant-garde elements make it a unique contribution to the piano repertoire.

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