Composer

:

César Franck

Genre

:

Choral

Style

:

Psalm

Compose Date

:

1884

Publication Date

:

1896

Average_duration

:

5:22

Psalm 150, M. 69 is a choral work composed by César Franck in 1884. It was premiered on May 25, 1884, at the Church of Sainte-Clotilde in Paris, where Franck was the organist and choirmaster. The work is written for four-part mixed choir, organ, and orchestra. The piece is divided into three movements. The first movement is marked Allegro non troppo and is in 4/4 time. It begins with a fanfare-like introduction in the brass and timpani, followed by a choral entrance with the text "Laudate Dominum in sanctis eius" (Praise the Lord in his holy places). The choir and orchestra alternate in a lively and joyful setting of the text, with the organ providing a continuous accompaniment. The second movement is marked Andante ma non troppo and is in 3/4 time. It begins with a solo organ introduction, followed by a choral entrance with the text "Laudate eum in virtutibus eius" (Praise him for his mighty deeds). The choir sings in a more subdued and contemplative style, with the orchestra providing a gentle accompaniment. The movement ends with a quiet and peaceful Amen. The third movement is marked Allegro molto and is in 2/2 time. It begins with a choral entrance with the text "Laudate eum in sono tubae" (Praise him with trumpet sound). The choir and orchestra alternate in a lively and energetic setting of the text, with the organ providing a virtuosic accompaniment. The movement ends with a triumphant and exultant Amen. Psalm 150, M. 69 is characterized by its grandeur, energy, and exuberance. Franck's use of brass and timpani in the first and third movements adds to the celebratory nature of the piece, while the second movement provides a moment of reflection and introspection. The work showcases Franck's skill as both a composer and an organist, with the organ playing a prominent role throughout the piece. Overall, Psalm 150, M. 69 is a powerful and uplifting work that has become a staple of the choral repertoire.

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