Composer

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Béla Bartók

Genre

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Keyboard

Style

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Keyboard

Compose Date

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1926 - 1939

Average_duration

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1:02

In Dorian Mode, Sz. 107/1/32 is a composition for solo piano by Hungarian composer Béla Bartók. It was composed in 1918 and premiered in Budapest in 1920. The piece is part of a larger collection of piano pieces called Mikrokosmos, which Bartók composed between 1926 and 1939. The piece is written in the Dorian mode, which is a musical mode that is similar to the natural minor scale but with a raised sixth degree. The Dorian mode has a melancholic and introspective quality, which is reflected in the character of the piece. In Dorian Mode is divided into three movements. The first movement is marked "Lento" and is characterized by a slow, mournful melody that is played in the right hand. The left hand provides a simple accompaniment that emphasizes the Dorian mode. The movement builds to a climax before subsiding into a quiet, introspective ending. The second movement is marked "Allegro moderato" and is more lively than the first. It features a playful melody that is played in the right hand and is accompanied by a syncopated rhythm in the left hand. The movement has a dance-like quality and is reminiscent of folk music. The final movement is marked "Andante" and is the most introspective of the three. It features a simple melody that is played in the right hand and is accompanied by a sparse, haunting accompaniment in the left hand. The movement builds to a climax before ending quietly. Overall, In Dorian Mode is a beautiful and introspective piece that showcases Bartók's mastery of harmony and melody. The use of the Dorian mode gives the piece a unique character that is both melancholic and introspective. The three movements provide a varied and engaging listening experience that is sure to captivate audiences.

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