Composer

:

Charles-Marie Widor

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1887

Average_duration

:

39:10

Movement_count

:

6

Movement ....

Charles-Marie Widor's Symphony No. 7 in A minor for organ, Op. 42/3, was composed in 1887 and premiered on May 2, 1887, at the Trocadéro Palace in Paris. The symphony is divided into five movements and is considered one of Widor's most popular works. The first movement, Allegro risoluto, begins with a powerful and dramatic introduction, featuring the full force of the organ. The main theme is then introduced, which is characterized by its rhythmic drive and energetic melody. The movement is marked by its use of counterpoint and the interplay between the different voices of the organ. The second movement, Moderato cantabile, is a lyrical and introspective piece. The melody is carried by the solo stops of the organ, creating a sense of intimacy and introspection. The movement is marked by its use of chromaticism and the interplay between the different registers of the organ. The third movement, Allegro, is a lively and energetic scherzo. The movement is characterized by its use of syncopation and the interplay between the different voices of the organ. The middle section of the movement features a more lyrical melody, which is then developed and expanded upon in the final section. The fourth movement, Andante quasi allegretto, is a gentle and reflective piece. The melody is carried by the solo stops of the organ, creating a sense of intimacy and introspection. The movement is marked by its use of chromaticism and the interplay between the different registers of the organ. The final movement, Allegro vivace, is a triumphant and celebratory piece. The movement is characterized by its use of fanfare-like motifs and the interplay between the different voices of the organ. The movement builds to a powerful climax, featuring the full force of the organ, before ending in a triumphant coda. Overall, Widor's Symphony No. 7 in A minor for organ, Op. 42/3, is a powerful and dynamic work, showcasing the full range and capabilities of the organ. The symphony is marked by its use of counterpoint, chromaticism, and the interplay between the different voices of the organ.

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