Composer

:

Simon Mayr

Genre

:

Choral

Style

:

Choral

Average_duration

:

32:20

Movement_count

:

8

Movement ....

Simon Mayr's Stabat Mater No. 5 in C minor is a sacred choral work that was composed in the early 19th century. The piece was premiered in 1816 in Bergamo, Italy, and is considered one of Mayr's most significant compositions. The Stabat Mater No. 5 is divided into ten movements, each of which is based on a different section of the Stabat Mater text. The first movement, "Stabat Mater dolorosa," sets the tone for the entire piece with its mournful and contemplative melody. The second movement, "Cuius animam gementem," features a solo soprano accompanied by the choir, and is characterized by its expressive and emotional vocal lines. The third movement, "Quis est homo," is a duet for soprano and tenor that is marked by its lyrical and flowing melody. The fourth movement, "Pro peccatis suae gentis," is a somber and reflective piece that features the choir singing in unison. The fifth movement, "Eia Mater, fons amoris," is a lively and energetic piece that contrasts with the more contemplative movements that precede it. The sixth movement, "Sancta Mater, istud agas," is a solo for alto that is characterized by its soaring vocal lines and expressive phrasing. The seventh movement, "Fac ut portem Christi mortem," is a duet for soprano and alto that is marked by its haunting and ethereal melody. The eighth movement, "Inflammatus et accensus," is a powerful and dramatic piece that features the choir singing in harmony. The ninth movement, "Quando corpus morietur," is a solo for bass that is marked by its solemn and contemplative melody. The final movement, "Amen," brings the piece to a close with a triumphant and joyful melody that is sung by the choir. Overall, Mayr's Stabat Mater No. 5 in C minor is a powerful and emotional work that showcases the composer's skill at writing for the human voice. The piece is characterized by its expressive melodies, dramatic harmonies, and contemplative mood, and is considered a masterpiece of the sacred choral repertoire.

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