Composer

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César Cui

Genre

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Keyboard

Style

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Keyboard

Average_duration

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14:36

César Cui's 'Miniatures (12) for piano, Op. 20' is a collection of twelve short pieces for solo piano. The work was composed in 1886 and premiered the same year in St. Petersburg, Russia. The twelve movements are each between one and two minutes in length and are characterized by their brevity and simplicity. The first movement, 'March', is a lively and energetic piece in 2/4 time. The second movement, 'Berger et Bergère', is a gentle and pastoral piece in 6/8 time. The third movement, 'Chanson sans paroles', is a lyrical and expressive piece in 4/4 time. The fourth movement, 'Scherzino', is a playful and light-hearted piece in 3/4 time. The fifth movement, 'Nocturne', is a slow and dreamy piece in 6/8 time. The sixth movement, 'Caprice', is a fast and virtuosic piece in 2/4 time. The seventh movement, 'Valse', is a graceful and elegant piece in 3/4 time. The eighth movement, 'Mazurka', is a lively and rhythmic piece in 3/4 time. The ninth movement, 'Sérénade', is a romantic and tender piece in 6/8 time. The tenth movement, 'Berceuse', is a gentle and soothing piece in 4/4 time. The eleventh movement, 'Toccata', is a fast and brilliant piece in 2/4 time. The twelfth and final movement, 'Finale', is a lively and energetic piece in 2/4 time. Overall, Cui's 'Miniatures (12) for piano, Op. 20' is a charming and delightful collection of short pieces that showcase the composer's skill in writing for the piano. The pieces are accessible and enjoyable for both performers and audiences alike, and they demonstrate Cui's ability to create memorable melodies and engaging rhythms within a concise and economical framework.

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