Composer

:

Franz Liszt

Genre

:

Choral

Style

:

Motet

Compose Date

:

1885

Publication Date

:

1907

Average_duration

:

4:32

Franz Liszt's 'Salve Regina, for chorus, S. 66' is a sacred choral work that was composed in 1862. It was premiered in the same year in Weimar, Germany, under the direction of the composer himself. The piece is divided into three movements, each of which is characterized by its own unique musical style and mood. The first movement, 'Salve Regina', is a solemn and reverent prayer to the Virgin Mary. The choir sings in unison, with the melody moving slowly and steadily, creating a sense of calm and peace. The harmonies are simple and straightforward, with occasional moments of dissonance that add a touch of tension to the piece. The movement ends with a quiet and peaceful Amen. The second movement, 'Ave Regina', is more lively and energetic than the first. The choir sings in four-part harmony, with the melody moving quickly and fluidly. The harmonies are more complex than in the first movement, with frequent modulations and chromaticism. The movement ends with a triumphant and joyful Amen. The third movement, 'Salve Regina', is a reprise of the first movement, but with a few key differences. The melody is more ornate and embellished, with the choir singing in a more florid and expressive style. The harmonies are also more complex, with frequent use of suspensions and other dissonances. The movement ends with a powerful and dramatic Amen, bringing the piece to a close. Overall, 'Salve Regina, for chorus, S. 66' is a beautiful and moving work that showcases Liszt's skill as a composer. The piece is characterized by its simple yet powerful melodies, complex harmonies, and expressive choral writing. It remains a popular choice for choirs and audiences alike, and is considered one of Liszt's most accomplished choral works.

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