Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1595

Average_duration

:

3:35

"Vide homo quae pro te patior (S. xix/82)" is a sacred choral work composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was likely composed in the late 16th century, although the exact date is unknown. It was first performed in Munich, Germany, where Lassus was employed as a court musician. The work is divided into three movements, each of which is based on a different text from the Gospel of John. The first movement, "Vide homo," is a setting of the words spoken by Pilate to the crowd as he presents Jesus, beaten and crowned with thorns, to them. The second movement, "Ecce homo," is a setting of the words spoken by Pilate as he presents Jesus to the crowd a second time, after he has been scourged. The third movement, "Crucifige," is a setting of the words spoken by the crowd as they demand that Jesus be crucified. The music of "Vide homo quae pro te patior" is characterized by its expressive harmonies and use of chromaticism. Lassus employs a variety of textures throughout the work, ranging from homophonic to polyphonic. The first movement features a mournful melody in the tenor voice, which is echoed by the other voices in turn. The second movement is more complex, with overlapping phrases and intricate counterpoint. The third movement is the most dramatic, with the voices of the crowd rising in intensity as they demand Jesus' crucifixion. Overall, "Vide homo quae pro te patior" is a powerful and emotionally charged work that showcases Lassus' skill as a composer. Its use of chromaticism and expressive harmonies foreshadow the developments of the Baroque period, making it a significant work in the history of Western music.

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