Composer

:

George Thalben-Ball

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

2:26

"Edwardia for organ" is a composition by George Thalben-Ball, a British organist and composer. It was composed in 1953 and premiered on May 14th of the same year at the Royal Festival Hall in London. The piece is divided into three movements, each with its own distinct characteristics. The first movement, marked "Allegro con brio," is a lively and energetic piece that showcases the full range of the organ. It begins with a fanfare-like introduction that sets the tone for the rest of the movement. The main theme is introduced by the manuals and is then taken up by the pedals. The music builds to a climax before subsiding into a quieter section that features a solo stop on the organ. The movement ends with a return to the main theme and a final flourish. The second movement, marked "Andante espressivo," is a slower and more contemplative piece. It begins with a gentle melody played on the manuals, accompanied by a soft pedal. The melody is then taken up by a solo stop on the organ, which adds a sense of depth and richness to the music. The movement builds to a climax before subsiding into a quiet coda. The third movement, marked "Allegro giocoso," is a playful and lively piece that brings the composition to a rousing conclusion. It begins with a jaunty melody played on the manuals, accompanied by a lively pedal. The music builds to a climax before subsiding into a quieter section that features a solo stop on the organ. The movement ends with a return to the main theme and a final flourish. Overall, "Edwardia for organ" is a virtuosic and engaging composition that showcases the full range of the organ. Thalben-Ball's use of different stops and textures creates a rich and varied sound that keeps the listener engaged throughout the three movements. The piece is a testament to Thalben-Ball's skill as a composer and his deep understanding of the capabilities of the organ.

More....