Composer

:

Julius Eastman

Genre

:

Keyboard

Compose Date

:

1984

Average_duration

:

16:44

Julius Eastman's "Buddha" is a minimalist composition that premiered in 1984. The piece is divided into three movements, each with its own unique characteristics. The first movement, titled "Evocation," begins with a single note played on the piano. This note is then repeated, gradually increasing in volume and intensity until it becomes a pulsating rhythm. The rhythm is then joined by a second piano, which plays a series of chords that add depth and complexity to the piece. The movement ends with a return to the single note, which fades away into silence. The second movement, titled "Manifestation," is more complex than the first. It begins with a series of dissonant chords played on the piano, which are then joined by a second piano playing a repeating pattern. The two pianos play off each other, creating a sense of tension and release. The movement ends with a return to the dissonant chords, which gradually fade away. The final movement, titled "Transcendence," is the most ethereal of the three. It begins with a series of soft, sustained notes played on the piano, which are then joined by a second piano playing a repeating pattern. The two pianos create a sense of space and openness, as if the listener is being transported to another realm. The movement ends with a return to the sustained notes, which gradually fade away into silence. Overall, "Buddha" is a meditative and introspective piece that reflects Eastman's interest in Buddhism and spirituality. The minimalist style of the composition allows the listener to focus on the subtle changes and nuances of the music, creating a sense of calm and tranquility.

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