Composer

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David N. Johnson

Genre

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Keyboard

Style

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Keyboard

Average_duration

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5:29

Fugue à la Gigue is a composition by David N. Johnson, an American composer and organist. The piece was composed in 1956 and premiered on May 6, 1956, at the Cathedral of St. John the Divine in New York City. The composition is a four-movement work for organ, with each movement based on a different theme. The first movement is a Prelude, which sets the stage for the rest of the piece. The second movement is a Fugue, which is based on a lively and energetic gigue rhythm. The third movement is a Chorale, which is a slower and more contemplative piece. The final movement is a Toccata, which is a fast and virtuosic piece that brings the composition to a thrilling conclusion. The Fugue à la Gigue movement is the centerpiece of the composition and is a prime example of Johnson's skill as a composer and organist. The movement is written in the key of G major and is based on a lively and energetic gigue rhythm. The fugue begins with a statement of the main theme in the organ's pedal, which is then echoed by the manuals. The theme is then developed and passed between the different voices of the organ, creating a complex and intricate texture. One of the characteristics of Johnson's composition is his use of counterpoint, which is the art of combining different melodies to create a harmonious whole. In the Fugue à la Gigue movement, Johnson uses counterpoint to create a complex and intricate texture that is both exciting and satisfying to listen to. Another characteristic of Johnson's composition is his use of rhythm, which is often lively and energetic, as seen in the gigue rhythm of the Fugue à la Gigue movement. Overall, Fugue à la Gigue is a masterful composition that showcases Johnson's skill as a composer and organist. The piece is a testament to his ability to create complex and intricate textures while maintaining a sense of energy and excitement.

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