Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Style

:

Rondo

Compose Date

:

1778

Publication Date

:

1780

Average_duration

:

7:54

Carl Philipp Emanuel Bach's Rondo No. 3 in A minor, H. 262, Wq. 56/5 is a solo keyboard piece composed in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1765 and 1780. The piece is part of a collection of six rondos for keyboard, which were published in 1779 under the title "Sechs Clavierstücke mit verschiedenen Veränderungen" (Six Keyboard Pieces with Various Variations). The Rondo No. 3 in A minor is a single-movement piece that follows the traditional rondo form. It begins with a short, melancholic theme in the minor key, which is then followed by a series of variations. The variations explore different moods and textures, ranging from delicate and introspective to lively and virtuosic. The piece ends with a return to the original theme, which is now transformed by the various variations that have preceded it. One of the most striking characteristics of the Rondo No. 3 is its use of unexpected harmonies and sudden shifts in tonality. Bach was known for his innovative approach to harmony, and this piece is no exception. The variations often take the listener on unexpected harmonic journeys, creating a sense of tension and release that keeps the music engaging and unpredictable. Another notable feature of the Rondo No. 3 is its use of ornamentation and embellishment. Bach was a master of keyboard technique, and this piece showcases his virtuosity as well as his sensitivity to the expressive potential of ornamentation. The variations are full of trills, turns, and other decorative flourishes that add color and depth to the music. The Rondo No. 3 in A minor was premiered by Bach himself, who was a renowned keyboard performer as well as a composer. It has since become a staple of the keyboard repertoire, admired for its technical challenges and its expressive range.

More....