Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Compose Date

:

1762-1765

Publication Date

:

1765

Average_duration

:

1:38

Carl Philipp Emanuel Bach's "Alla polacca in A minor, H. 166, Wq. 112/5" is a solo keyboard piece composed in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1740 and 1760. The piece was first published in 1763 as part of Bach's "Six Keyboard Sonatas, Wq. 63." The "Alla polacca" is a single-movement work that is characterized by its lively and dance-like rhythm. As the title suggests, the piece is written in the style of a polonaise, a popular dance form in Poland during the 18th century. The polonaise is typically characterized by a moderate tempo, a strong accent on the second beat of each measure, and a distinctive rhythm that alternates between duple and triple meter. The "Alla polacca" begins with a slow and melancholic introduction in A minor, which sets the mood for the rest of the piece. The main section of the piece is in A major and features a lively and energetic polonaise rhythm. The melody is characterized by its playful and whimsical nature, with frequent use of trills, ornaments, and unexpected harmonic shifts. The middle section of the piece is in F major and provides a contrast to the lively polonaise rhythm of the opening section. This section is slower and more introspective, with a more lyrical melody that is characterized by its use of chromaticism and unexpected harmonic shifts. The final section of the piece returns to the lively polonaise rhythm of the opening section, but with a more elaborate and virtuosic melody. The piece ends with a flourish, with the final chords emphasizing the A major tonality. Overall, the "Alla polacca in A minor" is a charming and playful work that showcases Bach's skill as a composer and his ability to blend different musical styles and traditions. Its lively rhythm and playful melody make it a popular choice for keyboard players and audiences alike.

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