Composer

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Alexander Scriabin

Genre

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Keyboard

Style

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Character Piece

Compose Date

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1898 - 1899

Average_duration

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4:01

Alexander Scriabin's 'Mazurka for piano in E major, Op. 25/4' is a solo piano piece that was composed in 1896. It was premiered by the composer himself in Moscow in the same year. The piece is part of a set of four mazurkas, Op. 25, that Scriabin composed during his early years as a composer. The 'Mazurka for piano in E major, Op. 25/4' is a lively and energetic piece that is characterized by its rhythmic drive and virtuosic piano writing. The piece is in triple meter and is structured in a traditional ABA form. The A section features a lively and syncopated melody that is accompanied by a driving bass line. The B section is more lyrical and features a more subdued melody that is accompanied by arpeggiated chords. One of the most notable characteristics of the 'Mazurka for piano in E major, Op. 25/4' is its use of chromaticism. Scriabin employs chromatic harmonies throughout the piece, which gives it a sense of harmonic instability and tension. This use of chromaticism was a hallmark of Scriabin's style and was a precursor to the atonal music of the 20th century. Another notable characteristic of the piece is its use of virtuosic piano writing. Scriabin was a virtuoso pianist himself, and he wrote many pieces that showcased his technical prowess. The 'Mazurka for piano in E major, Op. 25/4' is no exception, with its fast runs, arpeggios, and intricate fingerwork. Overall, the 'Mazurka for piano in E major, Op. 25/4' is a lively and energetic piece that showcases Scriabin's early style. Its use of chromaticism and virtuosic piano writing make it a challenging and rewarding piece for pianists to play.

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