Napoléon Coste
Etude for guitar in C major, Op. 38/17
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Composer:Napoléon CosteGenre:ChamberStyle:EtudeAverage_duration:1:53Etude for guitar in C major, Op. 38/17 is a piece composed by Napoléon Coste, a French guitarist and composer who lived from 1805 to 1883. The piece was composed in the mid-19th century and was first published in 1863. It is one of the many etudes that Coste composed for the guitar, and it is considered to be one of his most popular works. The Etude for guitar in C major, Op. 38/17 is a single-movement piece that is characterized by its technical difficulty and its beautiful melodic lines. The piece is written in C major and is in a fast tempo, with a time signature of 6/8. The piece is structured in a rondo form, with a recurring theme that is interspersed with contrasting sections. The piece begins with a lively and energetic theme that is played in the upper register of the guitar. This theme is then repeated several times, with variations and embellishments added each time. The first contrasting section of the piece is a slower and more lyrical section that is played in the middle register of the guitar. This section provides a nice contrast to the fast and energetic opening theme. The second contrasting section of the piece is a virtuosic passage that is played in the upper register of the guitar. This section is characterized by its rapid arpeggios and its use of harmonics. The section builds to a climax before returning to the opening theme. The final section of the piece is a coda that brings the piece to a close. This section is characterized by its use of tremolo and its rapid scale passages. The coda provides a satisfying conclusion to the piece and showcases the technical prowess of the guitarist. Overall, the Etude for guitar in C major, Op. 38/17 is a challenging and rewarding piece for the guitarist. It showcases Coste's skill as a composer and his understanding of the guitar as an instrument. The piece is a testament to the beauty and versatility of the guitar and is a favorite among guitarists and audiences alike.More....
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