Composer

:

Samuel Scheidt

Genre

:

Orchestral

Style

:

Allemande

Average_duration

:

7:12

Samuel Scheidt was a German composer and organist who lived from 1587 to 1654. He was a prominent figure in the early Baroque period and is known for his contributions to the development of the German organ school. One of his most famous works is the 'Allemande Also gehts, also stehts, SSWV 137', which was composed in the early 17th century. The 'Allemande Also gehts, also stehts' is a dance movement that was commonly used in Baroque instrumental music. It is a moderate tempo dance that is characterized by its flowing and graceful melody. The piece is written in the key of G major and is structured in a binary form, with two distinct sections that are repeated. The piece begins with a lively and energetic melody that is played by the violins. This melody is then repeated by the other instruments, including the bassoon, cello, and harpsichord. The second section of the piece is more subdued and features a slower, more contemplative melody. This section is also repeated before the piece comes to a close. One of the most notable characteristics of the 'Allemande Also gehts, also stehts' is its use of counterpoint. Scheidt was known for his skill in writing complex and intricate counterpoint, and this piece is no exception. The various instruments in the ensemble weave in and out of each other, creating a rich and layered texture that is both beautiful and complex. The 'Allemande Also gehts, also stehts' was likely composed in the early 17th century, although the exact date is unknown. It was likely premiered in a court or church setting, where Scheidt was known to have performed his music. Today, the piece is still performed and recorded by Baroque ensembles around the world, and it remains a testament to Scheidt's skill as a composer and his contributions to the development of Baroque music.

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