Composer

:

Samir Odeh-Tamimi

Genre

:

Chamber

Compose Date

:

2010

Average_duration

:

10:40

"Uffukk" is a contemporary classical composition by Palestinian composer Samir Odeh-Tamimi. The piece was composed in 2005 and premiered on October 22, 2005, at the Donaueschingen Festival in Germany. The composition is divided into three movements and is approximately 20 minutes in length. The first movement of "Uffukk" is titled "Taqsim" and is characterized by a solo improvisation on the oud, a traditional Middle Eastern stringed instrument. The improvisation is accompanied by a drone created by the other instruments in the ensemble, which include a clarinet, violin, cello, and percussion. The movement is marked by a slow and contemplative pace, with the improvisation gradually building in intensity and complexity. The second movement, "Uffukk," is the centerpiece of the composition and is marked by a frenetic and chaotic energy. The title of the movement is derived from the Arabic word for "explosion," and the music reflects this sense of explosive energy. The movement is characterized by a series of abrupt shifts in tempo and dynamics, with the ensemble moving between moments of frenzied activity and sudden stillness. The final movement, "Taqsim II," returns to the contemplative mood of the first movement. The movement features another oud improvisation, this time accompanied by a more subdued ensemble. The movement gradually builds in intensity, with the improvisation becoming more complex and the ensemble gradually adding layers of texture and color. Overall, "Uffukk" is a composition that reflects Odeh-Tamimi's background as a Palestinian composer working within the context of contemporary classical music. The piece combines elements of traditional Middle Eastern music with contemporary classical techniques, creating a unique and compelling sound world. The use of improvisation and the incorporation of traditional instruments like the oud give the piece a sense of authenticity and cultural specificity, while the use of contemporary classical techniques like extended techniques and complex rhythmic structures give the piece a sense of modernity and innovation.

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