Composer

:

Sergei Taneyev

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1908 - 1909

Publication Date

:

1910

Average_duration

:

43:12

Movement_count

:

5

Movement ....

Sergei Taneyev's 'Suite de concert, Op. 28' is a four-movement work for piano and orchestra. It was composed in 1909 and premiered in Moscow on March 4, 1910, with the composer himself as the soloist. The first movement, marked Allegro moderato, is in sonata form and opens with a majestic orchestral introduction. The piano enters with a virtuosic solo passage, which is then developed throughout the movement. The second theme is introduced by the strings and is characterized by its lyrical and expressive nature. The development section is marked by intricate interplay between the piano and orchestra, leading to a powerful and triumphant recapitulation. The second movement, marked Andante con moto, is a lyrical and introspective piece. The piano introduces the main theme, which is then taken up by the orchestra. The movement is characterized by its delicate and nuanced orchestration, with the piano and orchestra often trading off melodic lines. The third movement, marked Scherzo, is a lively and playful piece. The piano and orchestra engage in a spirited dialogue, with the piano often taking on a more percussive role. The middle section of the movement features a lyrical and expressive theme, which is then developed and transformed in various ways. The final movement, marked Finale, is a grand and triumphant piece. The piano and orchestra engage in a virtuosic display of technique and power, with the piano often taking on a more prominent role. The movement features a number of themes and motifs from earlier movements, which are developed and transformed in various ways. The movement culminates in a powerful and majestic coda. Overall, Taneyev's 'Suite de concert, Op. 28' is a masterful work that showcases the composer's skill as both a pianist and a composer. The work is characterized by its intricate interplay between the piano and orchestra, its virtuosic display of technique, and its lyrical and expressive themes.

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