Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Motet

Publication Date

:

1564

Average_duration

:

4:55

'Quid prodest stulto, M. xvii (S. vii/41)' is a motet composed by Orlande de Lassus, a prominent composer of the Renaissance period. The motet was composed in the late 16th century and premiered in Munich, Germany. It is a six-voice motet, with two sopranos, two altos, and two basses. The motet is divided into three movements, each with its own distinct characteristics. The first movement is marked by a lively and energetic tempo, with the voices weaving in and out of each other in a complex and intricate pattern. The second movement is slower and more contemplative, with the voices blending together in a rich and harmonious texture. The final movement returns to the lively tempo of the first, with the voices once again interweaving in a complex and intricate pattern. The text of the motet is taken from the book of Ecclesiastes in the Bible, and explores the theme of the futility of worldly pursuits. The title, 'Quid prodest stulto', translates to 'What profit is there for a fool', and the text goes on to describe the fleeting nature of worldly pleasures and the ultimate futility of pursuing them. The motet is characteristic of Lassus' style, which is known for its complex polyphony and intricate vocal textures. Lassus was a master of counterpoint, and his works are characterized by their intricate interweaving of voices and complex harmonic structures. 'Quid prodest stulto' is no exception, and showcases Lassus' mastery of the art of polyphony. Overall, 'Quid prodest stulto' is a masterful example of Renaissance polyphony, and a testament to Lassus' skill as a composer. Its intricate vocal textures and complex harmonic structures make it a challenging and rewarding work for both performers and listeners alike.

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