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Williametta Spencer
At the Round Earth's Imagined Corners
Released Album
 
Works Info
Composer
:
Williametta Spencer
Genre
:
Miscellaneous
Style
:
Miscellaneous
Average_duration
:
2:07
At the Round Earth's Imagined Corners is a choral work composed by Williametta Spencer. It was composed in 1974 and premiered in 1975 by the University of Michigan Women's Glee Club. The piece is divided into four movements, each with its own unique characteristics. The first movement, "At the Round Earth's Imagined Corners," is a setting of a poem by John Donne. The music is characterized by its use of dissonance and complex harmonies, which reflect the tension and uncertainty of the poem's themes. The choir sings in a homophonic style, with all voices moving together in harmony. The second movement, "The World Feels Dusty," is a setting of a poem by Emily Dickinson. The music is more subdued than the first movement, with a slower tempo and more gentle harmonies. The choir sings in a polyphonic style, with different voices singing different melodies at the same time. The third movement, "The Sun is Love," is a setting of a poem by Robert Louis Stevenson. The music is characterized by its use of syncopation and rhythmic complexity, which reflect the playful and joyful nature of the poem's themes. The choir sings in a homophonic style, with all voices moving together in rhythm. The fourth and final movement, "The World is Too Much With Us," is a setting of a poem by William Wordsworth. The music is characterized by its use of repetition and gradual crescendos, which reflect the intensity and urgency of the poem's themes. The choir sings in a polyphonic style, with different voices singing different melodies at the same time. Overall, At the Round Earth's Imagined Corners is a complex and challenging choral work that showcases Spencer's skill as a composer. The piece is characterized by its use of dissonance, complex harmonies, and rhythmic complexity, which reflect the themes of the poems it sets. Despite its difficulty, the piece has become a beloved staple of the choral repertoire and continues to be performed by choirs around the world.
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