Composer

:

Vinko Globokar

Genre

:

Chamber

Compose Date

:

2016

Average_duration

:

26:27

'Les Soliloques décortiqués' is a contemporary composition by Slovenian-French composer Vinko Globokar. The piece was composed in 1963 and premiered in Paris in the same year. It is a solo work for any instrument, and the performer is required to speak, sing, and play their instrument simultaneously. The piece is divided into three movements, each of which explores different aspects of the performer's voice and instrument. The first movement, titled "Soliloque I," is characterized by a series of short, fragmented phrases that are repeated and developed throughout the movement. The performer is required to speak and sing in a variety of different styles, ranging from whispered murmurs to loud, declamatory statements. The instrumental part is similarly fragmented, with short, angular phrases that are often interrupted by the performer's voice. The second movement, "Soliloque II," is more lyrical and expressive than the first. The performer is required to sing in a more traditional manner, with longer, sustained phrases that are accompanied by a more melodic instrumental part. However, the performer's voice is still an integral part of the composition, and they are required to speak and sing at various points throughout the movement. The final movement, "Soliloque III," is the most experimental and challenging of the three. The performer is required to use extended techniques on their instrument, such as multiphonics and percussive sounds, while also speaking and singing in a variety of different styles. The instrumental part is similarly complex, with a wide range of textures and timbres that are often at odds with the performer's voice. Overall, 'Les Soliloques décortiqués' is a challenging and innovative composition that pushes the boundaries of what is possible with a solo performer. It requires a high level of technical skill and creativity from the performer, as well as a willingness to experiment with different vocal and instrumental techniques. Despite its difficulty, however, the piece is also highly expressive and engaging, and it remains a popular choice for contemporary performers and audiences alike.

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