Composer

:

Carl Orff

Genre

:

Opera

Style

:

Opera

Compose Date

:

1962 - 1972

Average_duration

:

62:29

De temporum fine comoedia is an opera composed by Carl Orff in 1973. The plot of the opera is based on the medieval concept of the apocalypse, which is the end of the world. The opera is divided into three movements, each representing a different stage of the apocalypse. The first movement, titled "Signum magnum," represents the signs of the apocalypse. The music is dark and ominous, with a sense of impending doom. The chorus sings about the four horsemen of the apocalypse, the seven seals, and the end of the world. The second movement, titled "In principio," represents the beginning of the end. The music is more chaotic and frenzied, with the chorus singing about the destruction of the earth and the coming of the Antichrist. The soloists sing about the fear and despair of the people as they face the end of the world. The third movement, titled "Consummatum est," represents the end of the world. The music is slow and mournful, with the chorus singing about the final judgment and the end of all things. The soloists sing about the hope of salvation and the promise of eternal life. The premiere of De temporum fine comoedia took place in Munich, Germany, on June 29, 1973. The opera was well-received by audiences and critics alike, and it has since become one of Orff's most popular works. One of the characteristics of De temporum fine comoedia is its use of medieval Latin texts. Orff was known for his interest in medieval music and culture, and he often incorporated elements of these into his compositions. The opera also features a large chorus and orchestra, as well as soloists who sing in a variety of styles, including Gregorian chant and modern opera. Overall, De temporum fine comoedia is a powerful and dramatic work that explores the themes of death, judgment, and salvation. Its use of medieval texts and music, combined with Orff's unique style, make it a memorable and moving experience for audiences.

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