Composer

:

Girolamo Frescobaldi

Genre

:

Vocal

Style

:

Vocal Music

Publication Date

:

1616

Average_duration

:

3:16

'Peccavi super numerum' is a sacred vocal work composed by Girolamo Frescobaldi, an Italian composer and organist of the Baroque era. The piece was composed in the early 17th century, and its premiere date is unknown. The work is divided into three movements, each of which is characterized by its own unique musical style and structure. The first movement is a motet for four voices, with a text taken from the Book of Job. The second movement is a solo aria for bass voice, with a text taken from the Psalms. The final movement is a duet for soprano and bass voices, with a text taken from the Book of Isaiah. The first movement of 'Peccavi super numerum' is characterized by its use of polyphonic textures and intricate vocal counterpoint. The four voices weave in and out of each other, creating a complex and richly layered sound. The second movement, by contrast, is more simple and straightforward, with a single bass voice accompanied by a continuo of organ and cello. The aria is marked by its expressive melodic lines and its use of chromatic harmonies. The final movement of 'Peccavi super numerum' is a duet for soprano and bass voices, with a text that speaks of the forgiveness of sins. The music is marked by its use of imitative counterpoint, with the two voices echoing and responding to each other in a call-and-response style. The duet is also notable for its use of dissonance and chromaticism, which create a sense of tension and release throughout the piece. Overall, 'Peccavi super numerum' is a complex and sophisticated work that showcases Frescobaldi's mastery of vocal composition. Its use of polyphonic textures, expressive melodies, and chromatic harmonies make it a standout example of Baroque sacred music.

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