Composer

:

Hans Leo Hassler

Genre

:

Vocal

Average_duration

:

2:29

"Christum wir sollen loben schon" is a hymn composed by Hans Leo Hassler in the early 17th century. The hymn is based on a Latin hymn, "Corde natus ex parentis," which was written by Aurelius Prudentius in the 4th century. Hassler's version of the hymn was first published in 1601 in his collection "Lustgarten neuer teutscher Gesäng." The hymn is typically performed in four movements, with each movement highlighting a different aspect of the Christmas story. The first movement is a joyful and celebratory introduction, with the choir and organ playing in unison to create a sense of excitement and anticipation. The second movement focuses on the birth of Christ, with the choir singing in a more subdued and reverent tone. The third movement is a lively and energetic section that celebrates the arrival of the shepherds and the angels' announcement of Christ's birth. The final movement is a triumphant and joyful conclusion, with the choir and organ coming together to create a sense of exultation and praise. One of the most notable characteristics of "Christum wir sollen loben schon" is its use of counterpoint. Hassler was known for his skill in writing complex and intricate counterpoint, and this hymn is no exception. The various voices in the choir weave in and out of each other, creating a rich and layered sound that is both beautiful and complex. Another characteristic of the hymn is its use of harmony. Hassler was a master of harmony, and he uses it to great effect in this piece. The harmonies are often unexpected and surprising, adding to the sense of excitement and anticipation that runs throughout the hymn. Overall, "Christum wir sollen loben schon" is a beautiful and complex hymn that celebrates the joy and wonder of the Christmas story. Its intricate counterpoint and surprising harmonies make it a challenging and rewarding piece for both performers and listeners alike.

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