Composer

:

Florent Schmitt

Genre

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Keyboard

Style

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Character Piece

Compose Date

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1920

Average_duration

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6:22

Florent Schmitt composed "Pièce pour le tombeau de Debussy, Op. 70/1 Et Pan, ou fond des blès lunaires, s'accouda" in 1920 as a tribute to the late Claude Debussy. The piece premiered on March 16, 1920, at the Salle Gaveau in Paris, with Ricardo Viñes as the pianist. The piece is divided into two movements, with the first movement titled "Et Pan d'après Debussy" and the second movement titled "Ou fond des blès lunaires, s'accouda." The first movement is a tribute to Debussy's love for Pan, the Greek god of nature and music. Schmitt uses Debussy's harmonic language and impressionistic style to create a dreamy and mystical atmosphere. The movement is characterized by its use of whole-tone scales, parallel chords, and delicate arpeggios. The second movement is a reference to a line from Paul Verlaine's poem "Clair de Lune," which Debussy famously set to music. The movement is more energetic and rhythmic than the first, with Schmitt using syncopated rhythms and driving ostinatos to create a sense of urgency. The movement also features a prominent melody that is reminiscent of Debussy's "Clair de Lune." Overall, "Pièce pour le tombeau de Debussy" is a fitting tribute to one of the most influential composers of the early 20th century. Schmitt's use of Debussy's musical language and style shows his admiration for the composer, while also showcasing his own unique voice as a composer.

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