Composer

:

Mario Davidovsky

Genre

:

Keyboard

Style

:

Open Form

Compose Date

:

1970

Average_duration

:

7:01

Synchronisms No. 6 is a composition for piano and electronic sounds, composed by Mario Davidovsky in 1970. It was premiered on April 22, 1971, at the Columbia-Princeton Electronic Music Center in New York City. The piece consists of three movements, each with its own unique characteristics. The first movement, marked "Allegro," is characterized by its fast and rhythmic piano part, which is accompanied by electronic sounds that are often percussive in nature. The electronic sounds are created using a variety of techniques, including ring modulation, filtering, and delay. The piano and electronic sounds are tightly synchronized, with the electronic sounds often echoing or mimicking the piano part. The second movement, marked "Adagio," is much slower and more contemplative than the first. The piano part is more melodic, with long, sustained notes that are often accompanied by electronic sounds that are more atmospheric in nature. The electronic sounds are created using techniques such as reverb and granular synthesis, which create a sense of space and texture. The third movement, marked "Vivo," is the most energetic and complex of the three. The piano part is fast and virtuosic, with rapid runs and arpeggios that are often accompanied by electronic sounds that are more abstract and dissonant. The electronic sounds are created using techniques such as frequency modulation and waveshaping, which create complex and unpredictable timbres. Overall, Synchronisms No. 6 is a highly innovative and influential work that showcases Davidovsky's mastery of both acoustic and electronic sound. The piece is notable for its tight synchronization between the piano and electronic sounds, as well as its use of a wide variety of electronic sound techniques.

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