Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1604

Average_duration

:

3:15

Fratres qui gloriatur, M. xxi (S. xv/126) is a sacred motet composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the mid-16th century and premiered in Munich, Germany, where Lassus was employed as a court musician. The motet is divided into three movements, each with its own distinct character and musical style. The first movement is a lively and energetic setting of the text "Fratres qui gloriatur in tribulationibus," which translates to "Brothers, who boast in tribulations." The music is characterized by its rhythmic vitality and use of imitative polyphony, in which different voices echo and imitate each other's melodies. The second movement is a more contemplative setting of the text "Sicut patimur abundantem," which translates to "As we suffer abundantly." The music is slower and more introspective, with a greater emphasis on harmony and chordal textures. The voices weave in and out of each other, creating a sense of fluidity and movement. The final movement returns to the lively and energetic style of the first, setting the text "Sic et consolatio nostra," which translates to "So also our consolation." The music is characterized by its driving rhythms and use of syncopation, which creates a sense of tension and release. The voices come together in a triumphant conclusion, bringing the piece to a close. Overall, Fratres qui gloriatur is a masterful example of Lassus's skill as a composer. The piece showcases his ability to create complex and intricate polyphony, while also imbuing the music with a sense of emotional depth and meaning. Its premiere in Munich would have been a significant event, cementing Lassus's reputation as one of the leading composers of his time.

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