Composer

:

Charles Ives

Genre

:

Vocal

Style

:

Song: Art Song

Compose Date

:

1906

Publication Date

:

1922

First Performance

:

Oct 1, 1933

Average_duration

:

1:43

"Where the eagle cannot see, S. 390" is a composition by Charles Ives, an American composer known for his experimental and innovative approach to music. The piece was composed in 1917 and premiered in 1921. The composition is divided into three movements, each with its own distinct characteristics. The first movement, "The Pond," is a slow and contemplative piece that evokes the peacefulness of a quiet pond. The second movement, "The Housatonic at Stockbridge," is more lively and energetic, with a sense of movement and flow that reflects the rushing waters of the Housatonic River. The final movement, "The Yale-Princeton Football Game," is a raucous and chaotic piece that captures the excitement and energy of a college football game. One of the most notable characteristics of "Where the eagle cannot see, S. 390" is its use of unconventional musical techniques and structures. Ives was known for his experimental approach to music, and this composition is no exception. The piece incorporates elements of traditional Western classical music, as well as folk music, hymns, and popular songs. It also features dissonant harmonies, complex rhythms, and unconventional instrumentation, such as the use of a megaphone in the final movement. Overall, "Where the eagle cannot see, S. 390" is a unique and innovative composition that showcases Ives' experimental approach to music. Its three movements each offer a different perspective on the American landscape and culture, and its unconventional musical techniques make it a fascinating and challenging piece for performers and listeners alike.

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