Composer

:

John Foulds

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

27:45

Movement_count

:

7

Movement ....

Essays (7) in the Modes is a composition by British composer John Foulds. It was composed in 1927 and premiered on 22nd February 1928 at the Aeolian Hall in London. The piece consists of seven movements, each representing a different mode or scale. The first movement, "Phrygian", is characterized by its exotic and mysterious sound, with a prominent use of the Phrygian mode. The second movement, "Dorian", is more lively and dance-like, with a strong emphasis on the Dorian mode. The third movement, "Lydian", is more serene and contemplative, with a focus on the Lydian mode. The fourth movement, "Mixolydian", is more upbeat and energetic, with a strong use of the Mixolydian mode. The fifth movement, "Aeolian", is more somber and melancholic, with a focus on the Aeolian mode. The sixth movement, "Ionian", is more joyful and celebratory, with a strong emphasis on the Ionian mode. The final movement, "Locrian", is the most dissonant and unsettling of the seven, with a prominent use of the Locrian mode. Overall, Essays (7) in the Modes is a unique and innovative work that showcases Foulds' mastery of different modes and scales, as well as his ability to create a diverse range of moods and emotions through his music.

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