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Carlo Broschi (Farinelli)
Il Dolor Che Vo Sfogando
Released Album
 
Works Info
Composer
:
Carlo Broschi (Farinelli)
Genre
:
Miscellaneous
Style
:
Miscellaneous
Average_duration
:
17:01
"Il Dolor Che Vo Sfogando" is a vocal piece composed by Carlo Broschi, better known as Farinelli, in the 18th century. The piece was composed for the castrato voice, which was a popular vocal range during that time. The composition is a part of the Baroque era of music, which was characterized by its ornate and elaborate style. The piece was composed in the mid-18th century, during Farinelli's time as a court musician in Spain. It was premiered in Madrid, where Farinelli was a favorite of the Spanish royal family. The piece is a part of Farinelli's extensive repertoire, which included many vocal works that showcased his virtuosic abilities. "Il Dolor Che Vo Sfogando" is a vocal piece that is divided into three movements. The first movement is marked "Largo," which means it should be played slowly and with a mournful tone. The second movement is marked "Allegro," which means it should be played quickly and with a lively tempo. The final movement is marked "Adagio," which means it should be played slowly and with a relaxed tempo. The piece is characterized by its use of ornamentation, which was a common feature of Baroque music. Ornamentation refers to the embellishments that are added to a melody to make it more elaborate and expressive. Farinelli's use of ornamentation in "Il Dolor Che Vo Sfogando" is particularly notable, as it showcases his virtuosic abilities as a singer. The lyrics of the piece are in Italian and describe the pain and suffering of a broken heart. The piece is a showcase for the castrato voice, which was prized for its ability to convey emotion and expressiveness. Farinelli's performance of the piece was said to be particularly moving, and he was known for his ability to bring audiences to tears with his singing. Overall, "Il Dolor Che Vo Sfogando" is a beautiful and expressive vocal piece that showcases the virtuosic abilities of the castrato voice. Its use of ornamentation and expressive lyrics make it a standout piece of Baroque music, and it remains a popular piece for singers to perform today.
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