Arnold Schoenberg
Von Heute auf Morgen
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Composer:Arnold SchoenbergGenre:OperaStyle:OperaCompose Date:1930Average_duration:53:58Von Heute auf Morgen is an opera composed by Arnold Schoenberg in 1928-1929. The plot revolves around a married couple, who, after a quarrel, decide to separate for a day. However, when they try to reunite, they find that they have lost the ability to communicate with each other. The opera explores themes of communication breakdown, isolation, and the fragility of human relationships. The premiere of Von Heute auf Morgen took place on February 1, 1930, at the Frankfurt Opera. The opera was not well-received by the audience, who found the music and plot difficult to understand. However, it was praised by critics for its innovative use of atonality and Schoenberg's unique compositional style. The opera is divided into three movements, each of which represents a different stage in the breakdown of the couple's relationship. The first movement, "Yesterday," depicts the couple's happy and harmonious relationship before their quarrel. The music is tonal and lyrical, with lush harmonies and soaring melodies. The second movement, "Today," represents the couple's separation and the breakdown of their communication. The music becomes more dissonant and fragmented, with jagged rhythms and angular melodies. The singers' lines overlap and interrupt each other, reflecting the breakdown of their dialogue. The final movement, "Tomorrow," represents the couple's attempt to reconcile and rebuild their relationship. However, they find that they are unable to communicate with each other, and the music becomes even more dissonant and fragmented. The opera ends with the couple standing apart from each other, unable to bridge the gap between them. Overall, Von Heute auf Morgen is a challenging and innovative opera that explores complex themes of human relationships and communication breakdown. Schoenberg's use of atonality and his unique compositional style make it a landmark work in the history of opera.More....
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