Composer

:

Alfredo Casella

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1914

Average_duration

:

6:46

Movement_count

:

2

Movement ....

Alfredo Casella's 'A la Manière de... (Second Series), Op. 17bis' is a collection of six short pieces for solo piano. The work was composed in 1915 and premiered the same year in Milan. The six movements are each titled "A la Manière de..." followed by the name of a composer or musical style that Casella sought to emulate. The first movement, "A la Manière de... Couperin," is a nod to the French Baroque composer François Couperin. The piece is characterized by its delicate ornamentation and use of the harpsichord-like sound of the piano. The second movement, "A la Manière de... Borodine," pays homage to the Russian composer Alexander Borodin. The piece features a lush, romantic melody and rich harmonies reminiscent of Borodin's orchestral works. The third movement, "A la Manière de... Chabrier," is a tribute to the French composer Emmanuel Chabrier. The piece is lively and playful, with a syncopated rhythm and a touch of Spanish flair. The fourth movement, "A la Manière de... Debussy," is an impressionistic piece that evokes the dreamy, atmospheric style of Claude Debussy. The piece features a shimmering, cascading melody and a sense of floating in space. The fifth movement, "A la Manière de... Moussorgsky," is a nod to the Russian composer Modest Moussorgsky. The piece is characterized by its bold, dramatic chords and driving rhythm, reminiscent of Moussorgsky's powerful piano works. The final movement, "A la Manière de... Stravinsky," is a tribute to the Russian composer Igor Stravinsky. The piece is characterized by its angular, dissonant harmonies and driving rhythm, reminiscent of Stravinsky's neoclassical works. Overall, 'A la Manière de... (Second Series), Op. 17bis' showcases Casella's versatility as a composer and his ability to emulate a variety of musical styles. The work is a testament to the rich history of classical music and the enduring influence of past composers on contemporary music.

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