Composer

:

César Franck

Genre

:

Vocal

Style

:

Song

Compose Date

:

1871

Publication Date

:

1873

Average_duration

:

2:41

"Le mariage des roses, M. 80" is a chamber music piece composed by César Franck in 1860. It was premiered on January 22, 1860, at the Salle Pleyel in Paris, France. The piece consists of four movements and is scored for piano, violin, viola, cello, and double bass. The first movement, marked Allegro moderato, begins with a lively and energetic theme played by the piano. The strings then enter with a more subdued melody, which is developed throughout the movement. The piano and strings engage in a lively dialogue, with each instrument taking turns leading the melody. The second movement, marked Andante, is a beautiful and lyrical piece that showcases Franck's gift for melody. The violin takes the lead in this movement, with the other instruments providing a rich and supportive accompaniment. The music is full of emotion and expression, with the violin soaring above the other instruments in a series of beautiful and expressive solos. The third movement, marked Allegro, is a lively and energetic scherzo that features a playful and rhythmic theme. The music is full of energy and vitality, with the piano and strings engaging in a lively and intricate dance. The movement is full of surprises and unexpected twists and turns, keeping the listener engaged and entertained throughout. The final movement, marked Allegro molto, is a lively and joyful piece that brings the work to a rousing conclusion. The music is full of energy and excitement, with the piano and strings engaging in a lively and intricate dance. The movement is full of surprises and unexpected twists and turns, keeping the listener engaged and entertained throughout. Overall, "Le mariage des roses, M. 80" is a beautiful and engaging chamber music piece that showcases Franck's gift for melody and his mastery of form and structure. The work is full of energy, emotion, and expression, and is sure to delight audiences and performers alike.

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