Composer

:

Samuel Scheidt

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

10:06

Fantasia super Io son ferito lasso, SSWV 103 is a composition by Samuel Scheidt, a German composer and organist of the early Baroque era. The piece was composed in the early 17th century and is believed to have been premiered in the court of Duke Augustus of Brunswick-Lüneburg in Germany. The composition is a fantasia, a type of instrumental music that was popular in the Baroque era. It is based on the Italian madrigal "Io son ferito lasso" by Giovanni de Macque, which Scheidt transforms into a virtuosic instrumental work for keyboard or organ. The piece is divided into several movements, each with its own distinct character and mood. The opening movement is a lively and energetic fantasia, featuring intricate counterpoint and virtuosic keyboard writing. The second movement is a more subdued and introspective variation on the madrigal theme, featuring delicate ornamentation and expressive phrasing. The third movement is a lively and dance-like gigue, featuring lively rhythms and playful melodic lines. The fourth movement is a more somber and introspective variation on the madrigal theme, featuring expressive and melancholic harmonies. The final movement is a virtuosic toccata, featuring rapid-fire keyboard writing and intricate counterpoint. The piece ends with a triumphant flourish, showcasing Scheidt's skill as a composer and keyboard virtuoso. Overall, Fantasia super Io son ferito lasso, SSWV 103 is a masterful example of Baroque instrumental music, showcasing Scheidt's skill as a composer and keyboard virtuoso. Its intricate counterpoint, expressive harmonies, and virtuosic keyboard writing make it a challenging and rewarding work for performers and listeners alike.

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