Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Choral

Publication Date

:

1623

Average_duration

:

2:43

Johann Hermann Schein's 'Dennoch bleibe ich stets an dir (Israelis Brünlein No. 5)' is a sacred vocal work that was composed in the early 17th century. The piece was first published in 1623 as part of Schein's collection of sacred songs, 'Israelis Brünlein'. The premiere of the work is not known, but it is believed to have been performed in churches and other religious settings throughout Germany during the Baroque period. The piece is divided into three movements, each of which is characterized by its use of polyphonic textures and rich harmonies. The first movement is a chorale setting of the hymn 'Dennoch bleibe ich stets an dir', which is based on Psalm 73:23-24. The melody of the hymn is presented in the soprano voice, while the other voices provide a rich harmonic accompaniment. The second movement is a duet for soprano and alto voices, which is based on the text of Psalm 16:11. The two voices intertwine in a complex web of counterpoint, creating a sense of intimacy and devotion. The final movement is a four-part setting of the hymn 'Ich hab mein Sach Gott heimgestellt', which is based on Psalm 31:6. The piece begins with a simple statement of the melody in the soprano voice, which is then echoed by the other voices in turn. As the piece progresses, the harmonies become more complex, building to a powerful climax before resolving into a peaceful conclusion. Overall, 'Dennoch bleibe ich stets an dir (Israelis Brünlein No. 5)' is a beautiful example of Baroque sacred music, characterized by its rich harmonies, complex counterpoint, and deep sense of devotion. It remains a popular piece in the choral repertoire to this day.

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