Composer

:

Nicolas Gombert

Genre

:

Choral

Style

:

Choral

Average_duration

:

5:48

Regina coeli, Marian Antipho is a choral work composed by Nicolas Gombert, a Franco-Flemish composer of the Renaissance era. The piece was composed in the mid-16th century and is believed to have been premiered in the court of Emperor Charles V in Brussels. The work is divided into four movements, each of which is based on a different section of the Marian Antiphon Regina coeli. The first movement is a polyphonic setting of the antiphon's opening phrase, "Regina coeli, laetare, alleluia" ("Queen of Heaven, rejoice, alleluia"). The second movement sets the text "Quia quem meruisti portare, alleluia" ("For he whom you did merit to bear, alleluia") and features a lively and rhythmic texture. The third movement sets the text "Resurrexit sicut dixit, alleluia" ("He has risen as he said, alleluia") and is characterized by its use of imitative polyphony. The final movement sets the text "Ora pro nobis Deum, alleluia" ("Pray for us to God, alleluia") and features a rich and sonorous texture. One of the most notable characteristics of Gombert's Regina coeli, Marian Antipho is its use of complex polyphony. The piece features multiple independent vocal lines that weave in and out of each other, creating a rich and intricate tapestry of sound. Gombert also employs a variety of compositional techniques, such as imitation, inversion, and augmentation, to create a sense of unity and coherence throughout the work. Overall, Regina coeli, Marian Antipho is a masterful example of Renaissance choral music. Its intricate polyphony, rich harmonies, and expressive text setting make it a timeless masterpiece of the genre.

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