Composer

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Buxheimer Orgelbuch Anonymous

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:05

"Redeuntes in la" is a composition from the Buxheimer Orgelbuch, an anonymous collection of organ music from the 15th century. The exact date of composition is unknown, but it is believed to have been written in the mid-1400s. The piece is written for the organ and consists of three movements. The first movement is a prelude in which the organist introduces the main theme of the piece. The theme is a simple melody that is repeated throughout the composition. The prelude is characterized by its use of pedal tones, which create a sense of tension and anticipation. The second movement is a fugue in which the main theme is developed and expanded upon. The fugue is characterized by its use of counterpoint, in which multiple voices play different melodies that are harmonically related. The fugue builds in intensity as the voices become more complex and interwoven. The third movement is a toccata in which the organist improvises on the main theme. The toccata is characterized by its virtuosic passages and rapid arpeggios. The organist is given a great deal of freedom in this movement, and the piece ends with a flourish. Overall, "Redeuntes in la" is a complex and challenging piece of organ music that showcases the technical abilities of the performer. The use of pedal tones, counterpoint, and improvisation make it a significant work in the history of organ music.

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