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Jean-Henri d'Anglebert
Allemande transcribed from Louis Couperin
Works Info
Composer
:
Jean-Henri d'Anglebert
Genre
:
Keyboard
Style
:
Allemande
Average_duration
:
4:13
Jean-Henri d'Anglebert was a French harpsichordist and composer who lived from 1629 to 1691. He was a student of the famous harpsichordist and composer, Jacques Champion de Chambonnières, and later became the court harpsichordist for Louis XIV. One of his most famous works is his transcription of the Allemande by Louis Couperin. The Allemande transcribed from Louis Couperin was composed by d'Anglebert in the late 17th century. It is a transcription of a piece originally composed by Louis Couperin, who was a French Baroque composer and harpsichordist. The piece is written for solo harpsichord and is in the key of D minor. The Allemande transcribed from Louis Couperin is a part of a suite of dances, which was a popular form of music during the Baroque period. The suite typically consisted of several movements, including an allemande, a courante, a sarabande, and a gigue. The allemande was a German dance that was popular in France during the Baroque period. It was typically written in a moderate tempo and had a binary form. The Allemande transcribed from Louis Couperin has a number of characteristics that are typical of Baroque music. It is written in a moderate tempo and has a binary form, with two sections that are each repeated. The piece is also characterized by its use of ornamentation, which was a common feature of Baroque music. The ornamentation in the piece includes trills, mordents, and turns, which are used to embellish the melody. The Allemande transcribed from Louis Couperin was premiered by d'Anglebert himself, who was a renowned harpsichordist. The piece was likely performed at court, where d'Anglebert was the court harpsichordist for Louis XIV. The piece was well-received and became a popular piece for harpsichordists to perform. In conclusion, the Allemande transcribed from Louis Couperin is a famous piece of Baroque music that was composed by Jean-Henri d'Anglebert in the late 17th century. It is a transcription of a piece originally composed by Louis Couperin and is written for solo harpsichord. The piece is characterized by its moderate tempo, binary form, and use of ornamentation. It was premiered by d'Anglebert himself and became a popular piece for harpsichordists to perform.
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