Composer

:

Georges I. Gurdjieff/Thomas de Hartmann

Genre

:

Keyboard

Style

:

Hymn

Average_duration

:

2:51

'Hymne religieux, for piano No. 4' is a composition by Georges I. Gurdjieff and Thomas de Hartmann. It was composed in the early 20th century and premiered in Paris in 1923. The piece is part of a larger body of work known as the Gurdjieff/de Hartmann music, which consists of over 200 pieces composed by the two musicians. The 'Hymne religieux' is a slow and contemplative piece, with a simple melody that is repeated throughout the composition. The piece is in the key of C major and is written in 4/4 time. The melody is accompanied by a simple chord progression, which provides a sense of stability and grounding. The piece is divided into three movements, each of which has its own distinct character. The first movement is marked 'Andante', and is characterized by a gentle, flowing melody that is played in the right hand. The left hand provides a simple accompaniment, with a repeating pattern of chords. The second movement is marked 'Adagio', and is more introspective and contemplative than the first. The melody is played in the left hand, while the right hand provides a simple accompaniment. The piece builds to a climax in the middle of the movement, before returning to the more introspective mood of the beginning. The third movement is marked 'Andante', and is similar in character to the first movement. The melody is played in the right hand, while the left hand provides a simple accompaniment. The piece ends with a sense of resolution and calm. Overall, the 'Hymne religieux, for piano No. 4' is a simple and contemplative piece that reflects the spiritual and philosophical beliefs of Gurdjieff and de Hartmann. The piece is characterized by a sense of stability and grounding, and is intended to provide a sense of peace and calm to the listener.

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