Composer

:

Gabriel Pierné

Genre

:

Orchestral

Style

:

Orchestral

Average_duration

:

18:10

Movement_count

:

5

Movement ....

Gabriel Pierné's "Impressions de music-hall, suite" is a four-movement work for orchestra that was composed in 1913. The suite was premiered on May 22, 1913, at the Salle Pleyel in Paris, with the composer conducting the Colonne Orchestra. The first movement, "Entrée en scène," is a lively and energetic introduction that sets the tone for the rest of the suite. It features a catchy melody that is passed around the different sections of the orchestra, and includes a brief solo for the clarinet. The second movement, "Valse Boston," is a waltz that is reminiscent of the popular dance style of the time. It is characterized by its lilting rhythm and graceful melodies, and features solos for the violin and flute. The third movement, "Fox-trot," is a lively and syncopated dance that was popular in the early 20th century. It features a driving rhythm and a catchy melody that is passed around the different sections of the orchestra. The movement includes solos for the trumpet and saxophone. The final movement, "Apache," is a dramatic and intense piece that is inspired by the violent and acrobatic dance style of the same name. It features a driving rhythm and dissonant harmonies, and includes solos for the trombone and percussion. Overall, "Impressions de music-hall, suite" is a lively and entertaining work that showcases Pierné's skill as an orchestrator. The suite is characterized by its catchy melodies, driving rhythms, and colorful orchestration, and is a testament to the popularity of music hall and dance music in early 20th century France.

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