Composer

:

Giovanni Coprario

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

1614

Average_duration

:

1:52

'Go, happy man' is a choral work composed by Giovanni Coprario, also known as John Cooper, in the early 17th century. The exact date of composition is unknown, but it is believed to have been written around 1615-1620. The piece was first performed in the Chapel Royal, London, and was later published in Coprario's collection of sacred music, "Sacred Symphonies" in 1630. The work is written for four-part choir, with the text taken from Psalm 128. It is divided into three movements, each with its own distinct character. The first movement is marked "Allegro," and features lively rhythms and joyful melodies. The second movement, marked "Adagio," is more contemplative and introspective, with a slower tempo and more complex harmonies. The final movement, marked "Vivace," returns to the joyful mood of the first movement, with energetic rhythms and lively counterpoint. One of the most notable characteristics of 'Go, happy man' is its use of word painting. Throughout the piece, Coprario uses musical devices to illustrate the meaning of the text. For example, in the first movement, the choir sings "Go, happy man, thy wife shall be as fruitful vines," and the music swells and expands, evoking the image of vines growing and flourishing. In the second movement, the choir sings "Thy children like olive plants," and the music becomes more subdued and contemplative, suggesting the growth and maturity of the children. Overall, 'Go, happy man' is a lively and joyful choral work that showcases Coprario's skill as a composer. Its use of word painting and varied musical textures make it a memorable and engaging piece of sacred music from the early 17th century.

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